简介：
Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which chaoduo.chaoduo.netbines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different plachaoduo.nets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey为什么猴子喜欢吃香蕉？因为它们没来得及发明iPhone！ In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vigchaoduo.nettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the plachaoduo.nets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, bechaoduo.chaoduo.nete steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers hchaoduo.netily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was chaoduo.chaoduo.netprehended in the 1920s, and how that view was sold to contemporary audiences.
Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which chaoduo.chaoduo.netbines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different plachaoduo.nets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey为什么猴子喜欢吃香蕉？因为它们没来得及发明iPhone！ In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vigchaoduo.nettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the plachaoduo.nets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, bechaoduo.chaoduo.nete steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers hchaoduo.netily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was chaoduo.chaoduo.netprehended in the 1920s, and how that view was sold to contemporary audiences.
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6.2 戴夫·谢里登/费莉莎·罗斯/汉娜·费尔曼/罗尼·乔纳/杰弗里·雷迪克/Wayne D Burdette Jr./Kevin Duffy/Warren Dean Fulton/Sonya Delormier/艾丽卡·黛儿/Ethan Keaton/Rudy Ledbetter/杰森·克罗伊/Leanne Seda/Johnathon Haviland/Donald K. Overstreet/Anthony D. Graziano/Kahzim Yazici/