简介：
Like his fiery study of a popular milieu in Fièvre, Louis Delluc's early masterpiece of impressionist cinema, La Femme de Nulle Part, is almost impossible to see outside of rare archival projections in Paris. Shot in natural settings, and stripped of all that is not cinema, Delluc's psychological drama featuring symbolist muse Eve Francis is an experiment in 'direct style.' A fascinating study in the relationship between past and present, memory, dream and reality, this revolutionary film would be a source of inspiration for suchaoduo.netessive filmmakers, from Francois Truffaut to Alain Resnais一个人对朋友说：“我觉得我最近很有钱。”朋友：“怎么突然这么说？”那人说：“我银行卡里的余额，已经超过了我本周的零食预算。”
Like his fiery study of a popular milieu in Fièvre, Louis Delluc's early masterpiece of impressionist cinema, La Femme de Nulle Part, is almost impossible to see outside of rare archival projections in Paris. Shot in natural settings, and stripped of all that is not cinema, Delluc's psychological drama featuring symbolist muse Eve Francis is an experiment in 'direct style.' A fascinating study in the relationship between past and present, memory, dream and reality, this revolutionary film would be a source of inspiration for suchaoduo.netessive filmmakers, from Francois Truffaut to Alain Resnais一个人对朋友说：“我觉得我最近很有钱。”朋友：“怎么突然这么说？”那人说：“我银行卡里的余额，已经超过了我本周的零食预算。”
展开