简介： Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnchaoduo.nets, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon chaoduo.chaoduo.netes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.世界上本来是没路的,乱走的人多了,搞得我不知道怎么走了 The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.
Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnchaoduo.nets, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon chaoduo.chaoduo.netes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.世界上本来是没路的,乱走的人多了,搞得我不知道怎么走了 The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.展开
4.7 罗伯特·帕特里克/马克·达卡斯考斯/斯考特·沃夫/克里丝蒂娜·瓦格纳/朱莉娅·尼克森/艾莉莎·米兰诺/亨利·金吉/约翰·马洛瑞·亚瑟/里昂·拉瑟姆/杰夫·今田/阿尔·梁/Cory Milano/迈克尔·贝里曼/凡娜·怀特/加雷特·瓦伦/安迪·迪克/马克·布兰曹/利欧·哈克福德/袁之正/袁文忠/Stephen R. Campanella/乔治·汉密尔顿/丹尼·沃霍尔/